Twist/Turn - Halley Cheng Solo Exhibition
In subtle response to oppositional, fragmented positions, Halley Cheng investigates a city where the players may be caught in self-delusion. A theatre stage which is continually turning, twisting and changing, and where truth is hard to find.
Beijing-based novelist Chan Koonchung makes reference to the popular analogy of China as a Rubik’s Cube, a complex machine with the Party at its core, immutable and fixed, despite sudden and immediate changes to the surface of the cube. The title of Halley Cheng’s new show is partly inspired by this metaphor. The artist tests its relevance to political movements and inter-generational conflict. He reflects on polarizing, geometric shifts: an opaque world of hard edges and limited choices.
Galerie Ora-Ora’s new show depicts shattered realities and real-life illusions. The cube is rotating, and we are twisting and turning with it.
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Cheng, Halley 鄭哈雷, Mirror 鏡像, 2017
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Cheng, Halley 鄭哈雷, 中O, 2017
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Cheng, Halley 鄭哈雷, H+, 2017
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Cheng, Halley 鄭哈雷, 1:27, 2012
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Cheng, Halley 鄭哈雷, Tracing of Rain, 2014
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Cheng, Halley 鄭哈雷, Sport 運動, 2017
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Cheng, Halley 鄭哈雷, VX, 2017
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Cheng, Halley 鄭哈雷, Inflatable horror no.1 恐懼泡沫1號, 2017
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Cheng, Halley 鄭哈雷, MOAB, 2017
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Cheng, Halley 鄭哈雷, Projection Museum 投映博物館, 2015
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Cheng, Halley 鄭哈雷, The Moon Never Shines Upon the Shadow of Lust 月亮不肯照亮情慾深處那道背影, 2013
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Cheng, Halley 鄭哈雷, A Row of Plants Outside Mei Yin House, Shek Kip Mei Estate 石硤尾邨美賢樓對出一組植物, 2016
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Cheng, Halley 鄭哈雷, Faith Lutheran 深信, 2010
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Cheng, Halley 鄭哈雷, Rhenish 禮賢, 2010