Art Basel Hong Kong 2017: Perceptions
In current society, our perceptions, as a reflection of the soul’s independence are often overlooked and marginalized, whether methodically silenced through self-censorship and peer pressure, or voluntarily surrendered to skin-deep consumerism and apathy. Perceiving without processing becomes like catching water with your bare hands, with no trace or value remaining after the brief encounter.
Succeeding from our ABHK16 exhibition “Cha-Na”, Ora-Ora’s curation for this year’s “Perceptions” shifts to focus on the conscious and cultural discourse between Chinese contemporary art, which has evolved from centuries of legacy, wisdom and toil, and international paradigms. Through superimposing powerful and distilled visions from achieved artists grounded in the contemporary Chinese culture, against the framed perceptions from international viewers at Art Basel, “Perceptions” aims to sensitize the interactions between the viewers and the artists, and highlight the importance of differing perceptions.
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Zhang Yanzi 章燕紫, Medi-Chip 7 空芯片 7, 2016
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Zhang Yanzi 章燕紫, Medi-Chip 4 空芯片 4, 2016
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Zhang Yanzi 章燕紫, Integration 集成, 2016
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Huang Dan 黃丹, Perennials 花開不敗, 2015
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Huang Dan 黃丹, Unspeakable Awe 初始的樣子, 2017
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Huang Dan 黃丹, Recumbent Pine 橫松, 2017
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Huang Dan 黃丹, Fog 霧, 2017
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Huang Dan 黃丹, Character 風骨, 2015
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Xiao Xu 肖旭, Cool Sylvan Haze 寒林暮霭, 2015
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Cheng, Halley 鄭哈雷, Inflatable horror no.1 恐懼泡沫1號, 2017
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Cheng, Halley 鄭哈雷, Inflatable horror no.2 恐懼泡沫2號, 2017
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Cheng, Halley 鄭哈雷, Sport 運動, 2017
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Cheng, Halley 鄭哈雷, Cagdas Sanat Merkezi Modern Arts Center 錢卡亞現代藝術展覽中心, 2017
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Cheng, Halley 鄭哈雷, The Chinese Moon 中國的月亮, 2017
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Peng Jian 彭劍, Standing in Line (Left) 靜置(左幅), 2017
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Peng Jian 彭劍, Standing in Line (Middle) 靜置(中幅), 2017
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Peng Jian 彭劍, Standing in Line (Right) 靜置(右幅), 2017
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Peng Jian 彭劍, Standing in Line 靜置, 2017