潘汶汛的作品,就建立在她對古老傳統藝術的吸收,對事物內在本質的洞察,對所處時代詩意的想像。鹿、孩子、植物都是潘汶汛所喜愛使用的意象,也都是未經摻雜的、平淡天真的事物代表,純潔且生機勃勃。她用畫筆勾勒了其獨有的、神性的精神世界,在紙面上營造了一種牽動人心、極富野趣的境界。 Pan's oeuvre is based on her adaptation of ancient traditional art and appreciation of nature. As unadulterated and innocent representations of things that are pure and vibrant, Pan uses...
潘汶汛的作品,就建立在她對古老傳統藝術的吸收,對事物內在本質的洞察,對所處時代詩意的想像。鹿、孩子、植物都是潘汶汛所喜愛使用的意象,也都是未經摻雜的、平淡天真的事物代表,純潔且生機勃勃。她用畫筆勾勒了其獨有的、神性的精神世界,在紙面上營造了一種牽動人心、極富野趣的境界。 Pan's oeuvre is based on her adaptation of ancient traditional art and appreciation of nature. As unadulterated and innocent representations of things that are pure and vibrant, Pan uses her brush to outline her unique and divine spiritual world, creating a poetic softness to her subject matters, usually focused around children, woodland animals and flora.
Pan is particularly influenced by Dunhuang Frescoes. Her creation absorbs and adapts the ancient mural painting's stylistic approach and colour application. Figures and objects are depicted in soft and gentle brushwork. As one appreciates her works, they can experience the tenderness from the perspective of a female, a mother.