Inspired by indigenous Hong Kong plants, Sophie Cheung seeks facets of uniqueness and character in tone, angle and shape. The natural features call to mind ink brushstrokes, clouds of smoke, raging fires, and are all directly reflected in the making of Eternal Colour. The colours themselves are sourced from Ming Pao, a Hong Kong newspaper which she had been harnessing in her artworks prior to her departure for London. In a nod to traditional Chinese pigments, the blues and greens of the advertising take on a more turquoise hue. After returning from London, the commentary and selectivity of Hong Kong journalism underlined to her the difference in international perspective. During the creation of this piece, she began to actively place herself in the midst of the colour, history and culture of the journey of ink itself. Eternal Colour reflects this exploration of the artistic narrative, plants and her own state of mind.

張馨儀透過香港本地的植物作為靈感，在設色、構圖和造型方面尋求自身的獨特性與個性。生長於大自然之中的植被讓人聯想到水墨筆觸、煙雲以及熊熊烈火，這些都直接反映在作品《擦拭新聞：永續色》的創作之中。這些顏色皆來自香港報刊《明報》，在張馨儀去倫敦之前，她一直在用這份報紙創作自己的作品。為了向傳統中式顏料致敬，廣告中的藍色和綠色皆呈現出一種更接近於綠松色的色調。關於新聞的評論和選擇性上，從倫敦回來的她帶來了與別不同的國際視野。在創作這件作品的過程中，她開始主動地將自己置身於水墨本身的色彩、歷史和文化之旅中。《擦拭新聞：永續色》反映了她對藝術敘事、植物和自身心態的探索。